Leigh Monson

'French Exit' is strange, flabby, and hard to pin down, yet strangely rewarding.

This week's episode of 'The Expanse' turns the solar system on its head.

This week finds Amos and Naomi spotlighted as they attempt their escapes.

The search for one's tribe brings up questions of whether such artificial divisions are at all necessary.

An emotionally harrowing episode builds to an all-timer of a climax.

This week's episode is an intense one.

'The Expanse' takes a crack at 'Walking Dead'-style survivalist moralism.

The season finale explores the consequences inherent in holding to your ideals and loyalties, both harmful and rewarding.

'Sator' feels right at home with the bleak familial meditations of 'Relic' and 'The Dark and the Wicked'.

'4x4' is a paradox, a stationary thrill ride that maintains momentum without leaving the confines of a space that cannot even accommodate standing up.

'Haymaker' cares only about an audience of one.

'Brothers By Blood' is an incomprehensible cinematic chore.

'Supernova' may not be flashy, but it burns brightly all the same.

Tahar Rahim’s performance is sorely underserved by the production it’s bound to.

Netflix is mostly successful in entering the class-conscious awards-baiting game.

Our Soul review finds Pixar’s latest as a jazz composition that finds purpose in the quiet moments.

The fact that 'Sylvie's Love' sets the heart racing should be recommendation enough.

If the groundwork laid in the first three episodes tells us anything, big things are awaiting us in the weeks to come.

'Wander Darkly' may have attempted to reinvent the wheel, but it didn’t have to succeed to roll along just fine.

A great cast delivers the feel-good holiday movie of the year.

The Prom's emphatic excesses make up for its shallow faults.