Reviews archive
March 2021
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97 articles
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- March 21
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- SXSW 2021 Review: 'Language Lessons' speaks a universally sweet language
- 'Line of Duty' 6.01 Review: AC-12 are back with a bang
- SXSW 2021 Review: 'Jakob's Wife' is sorry she didn't speak up more
- 'Deadly Illusions' review: Don't be fooled
- SXSW 2021 Review: 'Them' proves that supernatural horrors are still no match for racism
- SXSW 2021 Review: 'The Fallout' is paralyzingly effective in its mission
- March 20
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- SXSW 2021 Review: ‘Best Summer Ever’ is guaranteed to put a smile on your face
- SXSW 2021 Review: 'How It Ends' is a sweetly romanticized apocalypse
- SXSW 2021 Review: 'Delia Derbyshire - The Myths & The Legendary Tapes' is an esoteric look at an electronic iconic
- 'Wynonna Earp' 4.09 Review: Brain Games
- March 19
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- 'Sky Rojo' Season 1 Review: Escape has its price
- SXSW 2021 Review: 'Alone Together' is Charli XCX's gift to her fans
- SXSW 2021 Review: Freeform's 'Cruel Summer' Introduces an intriguing timeline-shifting mystery
- SXSW 2021 Review: 'Alien On Stage' reaches for the stars
- 'Servant' Season 2 Finale Review
- SXSW 2021 Review: Class war comes to a brilliantly brutal head in 'The Feast'
- SXSW 2021 Review: ‘Who We Are: A Chronicle of Racism in America’ is a powerful call to action
- 'The Falcon and the Winter Soldier' 1.01 Review: It's Sam and Bucky's humanity that makes them heroes
- 'Invincible' 1.01-1.03 Review: Meet your new favorite superhero series
- SXSW 2021 Review: 'Here Before' pits Andrea Riseborough against haunted minds
- SXSW 2021 Review: 'Sound of Violence' is nothing but background noise
- SXSW 2021 Review: I wish 'Inbetween Girl' existed when I was a teen
- March 18
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- SXSW 2021 Review: 'Paul Dood's Deadly Lunch Break' takes aim at your heart
- SXSW 2021 Review: 'Woodlands Dark and Days Bewitched' is a dense and delightful folk horror doc
- SXSW 2021 Review: 'Gaia' is the 'Blue Lagoon' of 'Annihilation's
- SXSW 2021 Review: 'Offseason' is a sparse but effective sea-salt soaked folk horror
- SXSW 2021 Review: 'Swan Song' sings loud and proud
- 'The Falcon and the Winter Soldier' Premiere Review: Shh — No Spoilers!
- 'DOTA: Dragon’s Blood' Review: Lore turned character-driven adventure
- 'Resident Alien' 1.08 Review: End of the World as We Know It
- SXSW 2021 Review: 'Witch Hunt' wonders if we've really changed since the 1690s
- March 17
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- SXSW 2021 Review: 'Our Father' celebrates our differences
- SXSW 2021 Review: ‘Ludi’ is equal parts beautiful and tragic
- SXSW 2021 Review: 'Made For Love's pilot has the right stuff
- SXSW 2021 Review: 'The End of Us' is here to remind us of COVID, which we never forgot
- 'Superman & Lois' season 1 episode 4 review: Haywire
- 'The Flash' 7.03 Review: Mother
- SXSW 2021 Review: The brutal honesty of ‘Demi Lovato: Dancing With The Devil’
- March 16
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- SXSW 2021 Review: ‘Executive Order’ is undeniably urgent
- SXSW 2021 Review: ‘Islands’ beautifully reflects our fears of loneliness
- SXSW 2021 Review: 'Ninjababy' is a most complicated meet cute
- SXSW 2021 Review: 'Poly Styrene: I Am a Cliche' is a heartfelt exploration of a true punk icon
- 'Snowpiercer' 2.08 Review: The Eternal Engineer
- March 15
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- 'Zack Snyder’s Justice League' Review: The best version of a bad movie
- 'Calls' Review: A star-packed cast bolsters this intriguing concept
- ‘The Courier’ Review: Intrigue under a façade of normalcy
- 'Phobias' Review: A horror anthology that's afraid of anthology formats
- 'Happily' Review: We're all messed up, and that's (mostly) ok
- 'Batwoman' 2.07 Review: It's Best You Stop Digging
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