Kayleigh is a pop culture writer and critic based in Dundee, Scotland. Her work can be found on Pajiba, IGN, Uproxx, RogerEbert.com, SlashFilm, and WhatToWatch, among other places. She's also the creator of the newsletter The Gossip Reading Club.
Tis the season for Hallmark's slate of Christmas movies, but what makes them so endlessly appealing?
Season 11 of The Great British Bake Off saw record ratings but there was something a little bit off about this year's offering.
The drama Ammonite chooses to fictionalize a romance between two real-life women rather than portray their historical achievements.
Gillian Anderson plays Margaret Thatcher in season four of The Crown but The Iron Lady's damaging legacy looms large over her.
TV showrunner mega-force Ryan Murphy has come to define television of the past decade in a way that few other single individuals can lay claim to.
When female superhero films like Captain Marvel and Wonder Woman are sold as great feminist hopes, we all lose.
Now in its 11th season, The Great British Bake Off remains one of TV's most popular competitions, but is it still what it once was?
Idris Elba and Caleb McLaughlin saddle up for Concrete Cowboy, a story of community, family, and horses.
FX's What We Do in the Shadows landed 4 Emmy nominations this year and they couldn't have been more deserving.
Netflix's Ozark has become a surprisingly regular feature at the Emmys. What makes the series such potent awards bait?
Several prominent actors are making their directorial debuts this year at TIFF, but most hotly hyped title of the bunch is One Night in Miami, directed by Regina King.
Nicole Riegel's feature directorial debut Holler is an impressive drama about the cycle of poverty in modern-day America.
The COVID-19 pandemic has led to major changes across the entertainment industry, in particular the fall festival season.
It was recently announced that Adult Swim had made the decision to cancel The Venture Bros. after seven seasons and seventeen years on the air.
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