Thelma | Tingling chemistry in a telekinetic coming-of-age thriller from Norway

Thelma Eili Harboe wires
(Image credit: The 61st BFI London Film Festiva)

Sometimes the most terrifying discovery is who you really are. 

Scandinavian thriller Thelma is not your usual Nordic noir. There are no woolly jumpers or dysfunctional detectives: just a shy teenage student whose unsettling experience of leaving home for university uncorks disturbing supernatural powers within her.

Eili Harboe’s naïve and guileless Thelma has grown up in a deeply conservative Christian family in the sticks. And when she arrives in Oslo she finds herself ill at ease among her laid-back student peers. Most unsettling of all, she struggles to deal with unfamiliar desires, including an attraction to fellow student Anya (singer-songwriter Kaya Wilkins). And as their friendship deepens, she begins experiencing strange seizures that appear to unleash even stranger telekinetic abilities…

Thelma Kaya Wilkins Eili Harboe kiss

Norwegian director Joachim Trier’s intensely compelling film has touches of Carrie, sharing the combustible mix of religion and sexual repression, but without the buckets of blood. Amid all the supernatural weirdness, however, it is the film's emotional conviction that makes it work so well. And that's down to Harboe, superb in the lead and possessor of a tingling chemistry with co-star Wilkins.

Certificate 15. Runtime 116 mins. Director Joachim Trier

Thelma is available on Blu-ray & Digital from Thunderbird Releasing and on Digital from MUBI.

https://www.youtube.com/watch?v=dkAzI4nkVQo

Jason Best

A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.