Film review | A Field in England - Ben Wheatley's folk-horror tale taps into deep dark currents

A Field In England - Reece Shearsmith as Whitehead

Cult British filmmaker Ben Wheatley’s previous film, Sightseers, turned a Brummie couple’s caravan tour into a murder spree. A Field in England is even more bizarre.

A surreal black-and-white horror story set during the English Civil War, the film finds a trio of battlefield deserters (including The League of Gentlemen’s Reece Shearsmith) falling into the clutches of a sinister alchemist (Wheatley regular Michael Smiley), who forces them to aid him in his search for buried treasure.

It gets stranger and stranger. The men play tug of war against a seemingly occult force; Shearsmith’s timid protagonist eats magic mushrooms and trips out; people die and come back to life. Then there are the moments when the characters freeze in tableaux-like poses.

At times, the film’s spell breaks, leaving the actors looking like a bunch of Sealed Knot re-enactors going bonkers in a field. For the most part, though, Wheatley - aided by customary cinematographer Laurie Rose and writer-partner Amy Jump - creates a powerfully unnerving mood that taps into dark, deep and very weird currents of English folk myth and mystery.

Marking a first for UK film distribution, A Field In England will be available simultaneously in cinemas, on Film4, VOD, and on DVD and Blu-ray, all on 5th July 2013. Find out more on the film's official site. http://youtube.com/v/cRRvzjkzu2U

Jason Best

A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.