Fantasia Festival

Something as independently diamond-in-the-rough as 'Junk Head' is why film festivals exist (or at least how audiences should take advantage of such events).

A macabre, grim but not Grimm fairytale like Martyrs Lane is a reminder that horror doesn't always have to howl in your face.

The Adams family’s latest collaboration Hellbender is a scrappy, spunky satanic coming-of-age tale that’s as homegrown as the definition will allow.

The Sadness is authentically deranged and always hungry for more audience discomfort; what an appetite for deconstruction this movie boasts.

The Columnist wants you to have different opinions and be nice about it!

Kevin and Matthew McManus' 'The Block Island Sound' chums calm waters to bring forth unrest, uncertainty, and underwater fears that surface to suspicious degrees.

Bryan Bertino returns to 'The Strangers' form in 'The Dark And The Wicked', a movie that purifies, quadruple-distills, and bottles true evil.

At first glance, Natasha Kermani’s Lucky appears to be your standard, run of the mill home invasion flick. It only takes several minutes before you realize that isn’t quite the case.

Anthony Scott Burns’ 'Come True' explores the science of sleep and the horrors of our own subconscious through the dissection of nightmares.