Alice Through the Looking Glass | Dazzle, derring-do and a muddled plot for Lewis Carroll's heroine

Alice Through the Looking Glass Mia Wasikowska 400.jpg

Tim Burton’s CGI-laden adventure fantasy Alice in Wonderland was dazzling to look at but weak on plot. He’s relinquished the director’s chair to James Bobin (maker of The Muppets and Muppets Most Wanted), but the same is even truer of sequel Alice Through the Looking Glass.

Departing even further from Lewis Carroll’s original tales, the film opens with feisty, proto-feminist Alice (again played by Australian actress Mia Wasikowska) performing feats of derring-do as a sea captain in the South China Seas.

She easily outwits the Malay pirates besetting her in the Straits of Malacca but the pompous chauvinists awaiting her in England, including the chinless wonder (Leo Bill) who was once her fiancé, prove a greater threat to her ship, the Wonder.

"Time-travelling gizmo"

In short order, though, she’s back in the surreal world of Wonderland - or Underland as the film versions confusingly have it - slipping through the surface of a country-house mirror to discover that her old friend the Mad Hatter (an overly hammy Johnny Depp) is wasting away from sadness at the loss of his family.

Putting things right turns out to be a very convoluted affair. Alice pinches a time-travelling gizmo, the Chronosphere, from Time himself, a half-human, half-mechanical autocrat with a pronounced German accent, played by Sacha Baron-Cohen, and she gets to perform further acts of pluck and bravado as she hops back and forth in time.

"Topsy-turvy logic"

We learn the origins of the enmity between Helena Bonham Carter’s homicidal Red Queen and Anne Hathaway’s extremely fey White Queen, and reacquaint ourselves with such familiar characters as gormless twins Tweedledum and Tweedledee (Matt Lucas), the Cheshire Cat (Stephen Fry), and caterpillar-turned-butterfly Absolem (silkily voiced by the late Alan Rickman, to whom the film is dedicated).

Compared with Carroll’s brilliantly topsy-turvy logic, however, it all seems very muddled, and the original’s whimsical charm is definitely missing.

Certificate PG. Runtime 113 mins. Director James Bobin

http://www.youtube.com/watch?v=x3IWwnNe5mc

Jason Best

A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.