Out on DVD | Let the Right One In - Swedish chiller gives the vampire genre a blood transfusion

Let the Right One In - Lina Leandersson as the mysterious Eli

What with Twilight giving us teen bloodsuckers at the cinema and True Blood going for the jugular on TV, vampires are all the rage just now – but the work that has given the undead the biggest shot in the arm recently turns out to be Swedish vampire thriller Let the Right One In.

Scandinavia hasn’t been a familiar haunt for vampires, yet Tomas Alfredson’s film makes their kind chillingly at home in early-1980s small-town Sweden. This is where we meet lonely troubled Oskar (Kare Hedebrant), a bullied 12-year-old who lives with his single mother on a decrepit council estate and spends his time fantasising about wreaking revenge on his persecutors. Then he encounters a fellow outsider, the mysterious Eli (Lina Leandersson), a girl who seems to be his age. She is actually a centuries-old vampire…

Let the Right One In - Kare Hedebrant as Oskar

Let the Right One In couldn’t be further from either the Gothic gloom of the traditional vampire movie or from the teen melodrama of Twilight, but it still manages to combine the clammy terrors of the former with the latter’s surging emotions. Kudos to screenwriter John Ajvide Lindqvist (on whose novel the film is based) and to director Alfredson, whose control of mood is superb throughout, seamlessly fusing dark comedy and bloody horror, dank suburban realism and heady myth, and, above all, heart-stirring, magical first love.

Released 3rd August.

Read more about how Let the Right One In has given the anaemic vampire movie genre a thrilling transfusion of fresh blood.

Did you know Tomas Alfredson has just signed up to direct a feature film version of John Le Carre's spy classic Tinker, Tailor, Solider, Spy? Read more. http://youtube.com/v/ICp4g9p_rgo

Jason Best

A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.