Casualty star 'glad to see back of green outfit'
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Casualty actress Sophia di Martino has admitted she has no regrets about hanging up her green uniform for the last time as she leaves the show. The star, who has played paramedic Polly Emmerson in the BBC1 medical drama for two years, said that she was glad to take off her character's costume for the last time after she filmed her final scenes. "Taking that uniform off was quite a moment," Sophia said. "I am sick of wearing that green outfit every day." However the 27-year-old confessed that she could not resist taking some of Polly's more eccentric outfits home as a souvenir. "I took this skirt that I chose for Polly which has fried eggs, bacon and sausages on it!" she said. "I won't wear it, it's just in the wardrobe because she always wore really wacky clothes when she wasn't in her uniform." The actress's exit storyline begins on Saturday's episode of the show and concludes next weekend - and although she is keeping the details of her departure secret she promised that it would be "dramatic" and would be linked to her friendship with bus crash victim Hannah. "She's drawn to broken vulnerable people, like Alistair," Sophia explained. "She goes above and beyond what she's supposed to do, but as she's an untrained paramedic, she's playing with fire."
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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.

