Logan | Hugh Jackman's mutant hero Wolverine gets an elegiac but very bloody sendoff

Logan Hugh Jackman Wolverine

Logan Hugh Jackman Wolverine

His time has come.

Hugh Jackman’s Logan, aka Wolverine (opens in new tab), has always been the most popular character in the X-Men series, yet as Jackman takes his bow as the razor-clawed mutant there’s nothing the least bit crowd-pleasing about his farewell movie. The mood here is grim, gritty and resolutely downbeat, making this the dourest superhero adventure since Christian Bale hung up Batman’s cape and cowl.

The setting is 2029 in a world where no new mutants have been born for 25 years. The X-Men are dying out. And Jackman’s weary Logan is something of a wreck, as well. Earning a living as a limo driver in dust-blown Texas, he’s boozy and battered, his healing powers in decline. But Patrick Stewart’s aged Charles, aka Professor X, is in even worse shape, subject to terrible seizures that, thanks to his psychic powers, leave tremendous collateral damage in their wake.

Logan has been caring for Charles, with help from albino mutant Caliban (Stephen Merchant, playing it straight), but he finds himself saddled with a fresh responsibility in the form of 11-year-old Laura, a mutant who has escaped from a secret facility in Mexico being run by Richard E Grant’s ruthless bioengineer, Dr Zander Rice. Logan grudgingly agrees to take Laura to North Dakota, site of a rumoured sanctuary for mutant children called Eden. But Rice and his henchmen are in hot and deadly pursuit…

Logan Dafne Keen Laura

A blend of road movie and Western

Director James Mangold handles the ensuing adventure as a blend of road movie and Western, with scenes from 1953 classic Shane popping up, pointedly, on TV. The action here, however, is far more bloodily violent than it was in that vintage movie - like Logan, Dafne Keen’s Laura has vicious adamantium claws and when she uses them, there’s no stinting on the gore. Yet the overall tone here is similarly elegiac.

Mangold’s film is undoubtedly overlong and some stretches do drag, but Jackman and Stewart’s superb, nuanced performances ensure that it’s not just the fight scenes but also the emotionally charged ones that really pack a punch.

Certificate 15. Runtime 132 mins. Director James Mangold

Available on Blu-ray & DVD from 10 July from Twentieth Century Fox Home Entertainment.


A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.