Charlie's baby blues!

Charlie's baby blues!
Charlie's baby blues! (Image credit: BBC)

It's a normal day in Casualty for a sleep-deprived Charlie as he struggles to accept changes made by an ambitious Ruth in order to secure a promotion. But soon work is the last thing on his mind, when Noel brings his granddaughter Megan into the emergency department, revealing that Shona has left her there and says she isn't coming back! Shona refuses to answer her phone and Charlie wants to take Megan home, but Tess is unable to arrange cover as Kirsty has failed to turn up to work. At his wits' end, Charlie asks Big Mac to pull some strings and get Megan a place at the hospital creche, but when the creche fills up, Charlie is forced to rely on the team to help him look after her. Realising he isn't getting any younger, Charlie wrestles with the implications of looking after a baby at his age. But he quickly realises how much he cares for his granddaughter when a troubled patient he's treating kidnaps her! The team launch a search and, while checking a store cupboard, Charlie catches Ruth's husband, Edward, kissing another man! But he's too panicked about Megan to process what he's just witnessed. Finally Megan is tracked down to an empty stairwell, and Charlie talks the disturbed patient into giving her back.

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.