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Shot Caller | Nikolaj Coster-Waldau's white-collar inmate does the hardest of hard time

Shot Caller Nikolaj Coster-Waldau Jacob Money
(Image credit: Copyright: © 2015 SHOTCALLER FI)

Shot Caller Nikolaj Coster-Waldau Jacob Money

No turning back.

Far from an advert for the efficacy of the US penal system, writer-director Ric Roman Waugh’s gritty prison drama Shot Caller charts the transformation of a white-collar family man into a ruthless criminal after he lands up behind bars.

Rehabilitation doesn’t get a look in when Nikolaj Coster-Waldau’s successful financier, Jacob Harlon, goes to prison after inadvertently causing a fatal traffic accident while driving under the influence. The only way to survive, he quickly learns, is to join a prison gang. Once in, there’s no turning back.

Waugh keeps up the mood of grim fatalism from first to last, cutting back and forth between parallel narratives showing the events leading to Jacob’s incarceration, his brutal rise through the prison ranks and his actions following his release. Things get more than a little contrived as Jacob, now tattooed gangster ‘Money’, sets up an intricate criminal scheme designed to secure his family’s safety.  However, his strategy doesn't just involve dodging the police but also pushing away his dismayed wife (Lake Bell) and son (Jonathan McClendon).

But the film’s grim portrayal of prison life – right down to its arcane rituals and resonant slang (‘Who has the keys to the yard?') – rings terrifyingly true.

Certificate 15. Runtime 120 mins. Director Ric Roman Waugh

Shot Caller available on Blu-ray, DVD & Digital from Altitude Film Distribution.

https://www.youtube.com/watch?v=sKuctBvR6CM

A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.