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Swamp Thing looms over a decapitated body in a forest.

'Swamp Thing' 1.03 Review: He Speaks

By Rosie Knight

After two stellar episodes, 'Swamp Thing' settles into a gruesomely entertaining groove with "He Speaks."

Danger looms in Cadaver.

'Cadaver’ Review: The Instagram trap equivalent of culinary horror

By Matt Donato

The first Norwegian Netflix production, Jarand Herdal's Cadaver, is performative class warfare in the key of The Platform or Cannibal Club.

Creepy kiddies in Sinister.

The best horror movies on Netflix

By Matt Donato

Horror cinema carries benefits that are scientifically proven, did you know that? Here are the best horror movies streaming on Netflix right now!

The headless horseman gonna getcha.

Call of Duty's The Haunting of Verdansk looks slick

By Amelia Emberwing

Even to someone who doesn't play COD.

Atticus (Jonathan Majors) is baptized.

'Lovecraft Country' Finale Review: Endings are hard

By Amelia Emberwing

It's alright!

The nightmares begin in 'A Babysitter's Guide to Monster Hunting.'

'A Babysitter's Guide to Monster Hunting' Review: A Halloween watch for the family

By Matt Donato

Rachel Talalay's 'A Babysitter's Guide to Monster Hunting' isn't trying to spook your younglings, and that's just fine, because they'll have a blast huntin' monsters with these hero sitters.

Sam, Dean, and Amara sit down for some pierogi.

'Supernatural' 15.15 Review: Gimme Shelter

By Amelia Emberwing

Jack's the bomb!

Stealth is key in 'Love And Monsters.'

'Love And Monsters' Review: What's left to lose at the end of the world?

By Matt Donato

Michael Matthews' 'Love And Monsters' pits Dylan O'Brien against maneaters who stand in the way of his forever crush.

Sibling rivalry in 'Nocturne.'

'Nocturne' Review: Sibling rivalry in the key of spooky

By Matt Donato

Zu Quirke's 'Nocturne' pushes a developing pianist to the brink with the discovery of a possibly satanic string of notes.

The dangers that await in 'Evil Eye.'

'Evil Eye' Review: I spy few too many thrills

By Matt Donato

Elan and Rajeev Dassani's 'Evil Eye' is another less than hospitable welcome into Blumhouse's partnership with Amazon, lost to the mundanity of a long-distance chiller.

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