In the line of fire: Part 2

In the line of fire: Part 2
In the line of fire: Part 2 (Image credit: BBC)

As a deadly fire rages through the shopping centre Jeff and Polly lead the casualties to safety while Adam stays behind to search for Heather. He finds her and Ella alive but panics when he becomes claustrophobic and confused trying to find a way out. At the hospital the team prepare for an onslaught of burn victims, while Jessica struggles to deal with the news Adam's missing. The junior doctors are unable to cope with the horrors of the emergency department. And chaos descends when Zoe rushes out after receiving a mysterious call. Back at the shopping centre Jeff and security guard Lee return to the burning inferno to search for survivors. When the floor collapses Lee's buried in rubble and Adam and Heather fight to save his life, while Jeff manages to make it out of the building and get more help. Meanwhile Lee, Adam, Ella and Heather attempt to escape by climbing the lift shaft. But before Heather can make it out a fireball engulfs her and she's killed instantly... At the emergency department Mr Tweedie confesses he started the fire for insurance money to a furious Jessica. While Polly helps homeless Alistair find somewhere to live. After Adam returns in deep shock the devastated staff learn of Heather's death.

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.