Kirsty hurts Fiz! (VIDEO)

Kirsty hurts Fiz! (VIDEO)
Kirsty hurts Fiz! (VIDEO)

*Hour Long Episode* Kirsty's alarmed when Tyrone isn't at home. She finds him at baby class and demands that he comes home and then rails at him and for talking to Fiz. Kirsty heads back to Underworld where she's faced with Rob wanting to know why she's late. Later, Fiz has problems with her machine and she asks Julie to switch it off at the mains. While nobody is looking Kirsty switches it back on and Fiz's hand goes under the needle. Kirsty offers to take Fiz to hospital, but once there she tells her she's responsible and if she doesn't back off Tyrone next time it will be worse! Later, Fiz tells Tyrone what happened, begging him to leave Kirsty. Nick's gutted after Leanne's silence following his proposal. At the Bistro, Eva provides Nick with a shoulder to cry on. But after heart to hearts with Ken and Simon, Leanne summons Nick to the Rovers where she asks him to marry her. Jenna makes Sophie practise walking on crutches and when Sally and Kevin turn up Sophie has brilliant news, she can finally go home. Back on the Street Sophie makes a point of reassuring Ryan that everything is fine. Also, Beth is unimpressed by the factory girls' efforts on her birthday; David's got a suggestion for a shocked Kylie.

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.