Run All Night | Film review - Liam Neeson's action dad still has the legs in this entertainingly brisk thriller
The latest updates, reviews and unmissable series to watch and more!
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
ONCE A WEEK
What to Watch
Get all the latest TV news and movie reviews, streaming recommendations and exclusive interviews sent directly to your inbox each week in a newsletter put together by our experts just for you.
ONCE A WEEK
What to Watch Soapbox
Sign up to our new soap newsletter to get all the latest news, spoilers and gossip from the biggest US soaps sent straight to your inbox… so you never miss a moment of the drama!
Just a couple of months ago, Liam Neeson was looking spent in the decidedly short-winded Taken 3, but the entertainingly brisk Run All Night happily shows that he still has the legs as cinema’s ruggedly heroic action dad.
At the film’s outset, however, the character he plays appears ready to drop. Washed-up Brooklyn hitman Jimmy the Gravedigger is now a whiskey-soaked embarrassment to his fellow mobsters, his days as the feared muscle for mob boss Shawn Maguire (Ed Harris) long past. But when his estranged grown-up son, Mike (Joel Kinnaman), becomes a target after witnessing a gang killing, Jimmy proves he hasn’t run to seed.
His brutally tenacious efforts to keep Mike alive are compressed into a single night, which gives Run All Night the kinetic urgency and sweaty-palmed suspense of Neeson’s better thriller outings (this is his third teaming with director Jaume Collet-Serra, maker of Unknown and Non-Stop). There isn’t much to the story beyond flight and fight, but Jimmy’s prickly relationship with his son ensures things don’t turn too sappy whenever there’s a lull in the action.

Certificate 15. Runtime 115 mins. Director Jaume Collet-Serra.
https://www.youtube.com/watch?v=dq4dzuJWSTE
The latest updates, reviews and unmissable series to watch and more!
A film critic for over 25 years, Jason admits the job can occasionally be glamorous – sitting on a film festival jury in Portugal; hanging out with Baz Luhrmann at the Chateau Marmont; chatting with Sigourney Weaver about The Archers – but he mostly spends his time in darkened rooms watching films. He’s also written theatre and opera reviews, two guide books on Rome, and competed in a race for Yachting World, whose great wheeze it was to send a seasick film critic to write about his time on the ocean waves. But Jason is happiest on dry land with a classic screwball comedy or Hitchcock thriller.

