Lexi warns Chas not to ruin her wedding

Paddy watches Chas and Carl with a sense of unease ahead of the stag and hen nights. That evening the stags and hens realise that The Woolpack has been double-booked for both celebrations and the men are forced to make other arrangements. Lexi is pleased to have the chance to kiss Carl for the last time as a single woman. Carl takes the stags back to Mill Cottage. Paddy questions Carl about his feelings for Lexi and Carl's lukewarm response makes him feel even more uneasy. Over at the hen do, Lexi taunts Chas and accuses her of feeling jealous. Chas denies she has any feelings for Carl, but Lexi warns her not to sabotage the wedding. Natasha interviews Leyla for the Home Farm job, but it's soon clear that she doesn't have the right experience. Faye turns up for the interview and Mark is horrified when he spots her being welcomed into his home. Natasha is pleased to have found a like-minded soul and she and Nathan agree to give Faye the marketing job. Mark secretly finds Faye's contact details, intending to confront her. Also, Bob and Brenda prepare for the sale of Bob's businesses with a heavy heart. Click here to watch whatsontv.co.uk's new weekly soaps video preview, the Soap Scoop Get all the latest soap gossip delivered straight to your door. Subscribe to Soaplife magazine today

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Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.