Mad Max puts Grace in danger!

Mad Max puts Grace in danger!
Mad Max puts Grace in danger! (Image credit: Steven Peskett)

DS Max Carter has been doing his duty with aid of cocaine – and so far he's got away with it. But could his nasty habit have tragic consequences for one of his Sun Hill colleagues as they investigate the disappearance of a wealthy businessman…? Pcs Ben Gayle and Nate Roberts take the call about an abandoned car that has been found covered in blood. The motor is registered to Mr Kapur, a leading light in the business community. It hasn't been reported stolen and yet Mr Kapur’s wife, Nalira, and daughter, Arshia, say he flew to India earlier that day. Max is clear-headed enough to realise that something doesn’t add up and decides to dig deeper… His digging throws up some interesting – and disturbing – facts… First, Mr Kapur hasn’t gone to India; his family is lying. Secondly, CCTV has spotted that crooks followed Mr Kapur’s car. Finally, another visit to the Kapur home yields the truth: Mr Kapur has been kidnapped for ransom. Max takes over the money drop and it goes wrong. So Max suggests Grace poses as Mr Kapur’s daughter… It’s a dangerous idea. And it could be fatal! Is this why DC Terry Perkins puts pressure on Max to come clean about his cocaine abuse to DI Neil Manson? And will Max clean up his act?

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.