Much to Ringo's annoyance, Donna and Zeke spend the night of the wedding reception forging a close bond. After a confrontation with Ringo, a moment of comfort between Zeke and Donna turns into a kiss. Jealous Ringo throws a punch at Zeke, but Zeke is a changed man these days, and defends himself, flooring shocked Ringo in front of the neighbours. Rebecca publicly denies any feelings for Paul when confronted by Cass at the wedding reception. Seeing through Rebecca's denial, Elle locks Cass in Harold's Store to give Rebecca and Paul alone time. Rebecca and Paul share a dance but Rebecca is unable to trust her feelings for Paul, and lets him go home alone. After a near-kiss with Lucas, Elle frees Cass from the store and Cass sets out to prove she is better for Paul than Rebecca. Paul returns to Charlie's admitting his feelings to Rebecca but she's sound asleep. Paul offers to take her home and she accepts - only if they go to his house. As Rebecca wakes to find herself in bed with Paul, Cass encourages Andrew Simpson to make a play for Rebecca. So when Rebecca creeps out of Paul's, she is confronted by Andrew hoping to give their relationship another go. Click here to watch whatsontv.co.uk's weekly soaps video preview, Soap Scoop Get all the latest soap gossip delivered straight to your door. Subscribe to Soaplife magazine today
Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.
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