Jimmy's waking nightmare!

Jimmy's waking nightmare!
Jimmy's waking nightmare!

Oh, Jimmy! What are you doing waking up next to Gennie?! Are you going to drop your trousers for every woman who flutters their eyelashes at you? Because, if you are, you should avoid eye contact with Pearl when she's had a sherry or two. And what about Nicola? She turns up to tell Jimmy she does want him back, after all, not knowing Gennie's in his bed. Jimmy begs Gennie to stay out of sight but she's not interested in saving his marriage; she just wants to get to work on time. She leaves - and so does Nicola after she sees her. Looks like the divorce is back on... Like Jimmy, Leyla's living dangerously - and it's all part of her bid to keep Jacob in Emmerdale. Alicia's off to sunny Spain with Andy, to map out a new life there and Leyla's only supposed to be looking after Jacob while she's gone. But Leyla's got bigger plans, which involve hiding Jacob's phone so he can't phone Alicia while she's gone. Naughty! Everyone at the factory thinks Holly's been naughty but she hasn't (for a change). Laurel's money wasn't stolen, she just forgot she had given it to Gabby. So, it's apologies all round and Holly has her job back. Click here to watch whatsontv.co.uk's weekly soaps video preview, the Soap Scoop

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.