Robbie dates Katie's mini-me

Robbie dates Katie's mini-me
Robbie dates Katie's mini-me

What little Robbie lacks in height he certainly doesn't make up for with brains. Robbie's just a nasty little wind-up merchant and his latest efforts to get to Katie involve dating Cheryl, a girl who he thinks looks just like Katie. But she doesn't. And Katie's not annoyed, she's amused. Robbie doesn't like being laughed at though, and he's the one who ends up angry. Now Katie's not amused; she's determined to get rid of Robbie - as determined as he is to get rid of her... Kerry doesn't want to get rid of Amy, but she does. Amy finds out Kerry spent the night at Andy's house and she's not happy. Her mother has lied to her and let her down too often and Amy wants her gone. Kerry's not her mother, she tells her, Val is. Ouch! That hurts, but still Kerry won't go - especially as Andy enjoyed her company so much he has invited her to stay another night. As Amy sees it that leaves her with just one option: if Kerry won't leave she will. She tells Val and Pollard she's off to visit Hannah in London and will stay there until Kerry goes. Victoria wants to be on the move, too - into Butler's Farm, to be closer to Alex and to get away from Kerry, who has become Andy's new BF. That's very awkward for Alex!

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.