Charity dips into the Kings' pockets

Charity dips into the Kings' pockets
Charity dips into the Kings' pockets

Charity is playing Mrs Respectable for Jai - but she's still keeping her hand in with the Dingle way of doing business - and she's very hands-on with their latest money-making scheme. It involves toppling the Kings, particularly Carl. He slashed the tyres on Cameron's truck and now Cameron, Debbie and Charity are determined to slash his entire business. While Edna's distracted by Debbie, Charity dips into her pocket and lifts the keys to the Kings' offices. It's a move that crafty Cain doesn't miss and that puts him in on the plan, too. But it's Cameron who sneaks into the offices... While Charity's working with her Dingle clan to bring down Carl, Jai is worried she'll bring him down. He's got Nikhil nattering in his ear about how Charity is spending a lot of time with Cain and Jai's getting worried. He doesn't want to believe the worst of his bride-to-be, but her behaviour makes it hard... Sandy's worried about Laurel and Ashley's marriage and has a word with Marlon about what he thinks is going on. It's clear that the coffin dodger is still very alert and a worried Marlon talks to Laurel. They can't have an affair, she says, they can only be friends. Friends with benefits?

Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.