Donna returns to where Ringo was killed

Donna returns to where Ringo was killed
Donna returns to where Ringo was killed (Image credit: five)

Toadie tells Lucas that Kate's statement is causing him problems in defending Steph, so Lucas asks her why she won't help Steph. Kate tries to leave but Steph tells her to stay and assures her from now on no one will hassle. Steph also tells Kate to stand up in court and be honest. Toadie can't believe what he's hearing. Kate goes to see Donna and tells her she intends to tell the court Steph is to blame for Ringo's death. Donna begins asking Kate questions about the road where the accident happened, and asks her to take her there. Michael enlists Rebecca's help with the parent rota for the School Social and it's clear the pair get on very well. Andrew wonders if Rebecca should be using her time to look after Paul instead. Declan and Kate take Donna to the place where Ringo was killed and it's different to how Kate remembers it. Kate realises she got it all wrong, Steph could never have stopped and so it isn't her fault. Also, when Kate arrives home early after her date, Donna and Sophie ask her what went wrong. She tells them that there was no chemistry between her and Mark but Donna doesn't believe her. Click here to watch's weekly soaps video preview, the Soap Scoop

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Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.