Has India moved on?

Has India moved on?
Has India moved on?

Josh becomes increasingly frustrated when India fails to respond to his text messages. Later, he clashes with Ste and Ravi in Relish, however, Anita surprises him and an unlikely ally is forged. When Lauren appears, Ravi has no other option than to kick Josh out. Seeking refuge in the SU bar, Josh comes face to face with Dave who persuades him to go up to halls. Rhys heads out to search for his brother and runs into India. Although wracked with guilt, he accepts her offer of lunch. As they grow closer, talk turns to Josh and the crash. India confesses how difficult she's finding it to deal with the crash. It all comes to a head when Josh walks in and sees Rhys and India about to kiss. Josh is appalled to see his brother and India so close and launches himself at Rhys. Also; Lauren and Gaz's snogging fest is interrupted when Leo intervenes. Gaz tells Leo he has photographic evidence on his phone of the bruises he gave him and he's not scared to show the school. At his wits' end, Leo seeks out Calvin and confesses his fears about Lauren and Gaz's threat. However, catching up with Gaz, Calvin infuriates Lauren when he seizes his phone and smashes it. Click here to watch whatsontv.co.uk's weekly soaps video preview, the Soap Scoop

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Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.