Nasty Nathan lashes out!

Nasty Nathan lashes out!
Nasty Nathan lashes out!

Encouraged by Katie, Ryan goes to see Maisie… Their meeting isn't one of those Kodak family moments but they face their demons and agree to work on developing a proper brother-sister relationship (so no tongues in the kisses please). Nathan turns up and goes ballistic, telling Ryan to leave his sister alone. Then he repays the visit, going a on a rampage through Tenant's Cottage. Ryan's not there but Nathan is out of control and destroys Faye's belongings. Faye returns home but will she be able to calm Nathan or will she become a victim of his rage? After the hijacking of the satnavs, Nikhil is definitely feeling like a victim and turns on Debbie and Charity, saying they set him up. He tells Jai he’s staying on the straight and narrow from now on and Jai's pleased, thinking he and Cain have got the result they wanted. But as Charity was in the driving seat with Noah when the thugs struck, he shouldn’t be so sure that the matter is over with. Aaron, on the other hand, feels sure that he and Holly are over. She stands him up again and he's unhappy... But is that because of Holly or because Adam is getting on well with Scarlett? Click here to watch whatsontv.co.uk's weekly soaps video preview, the Soap Scoop

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Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.