Why won't Charlie move in with Angelo?
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Angelo needs some time alone and Charlie confesses to Ruby that she's never lived with a boyfriend. Charlie tries to smooth things over with Angelo at work, and he tells her he thinks she'll come round to the idea. Charlie tells him she doesn't think she'll ever change her mind. Angelo is left uncertain about their future as a couple. He thinks she's trying to break up with him, but Charlie assures him she's not. Ruby is saddened to hear that Geoff called, but didn't ask to speak to her. She tries to take her mind off him by reading a new book, but she can't focus. She runs into Xavier on the beach and they chat, clearing the air since their break up. Mink arrives and stirs up trouble. Ruby leaves and Xavier is frustrated by Mink's behaviour. Romeo mentions how good a friend Xavier is and Mink says he can't be that good if Romeo hasn't told him the truth about their dad. Xavier admits to Gina that she was right, Mink is trouble. Romeo apologises to Gina and then Xavier about Mink's behaviour, revealing that he's worried Mink will get herself in real trouble one day. Mink sneaks into Xavier's room and steals the money left by Hugo. Click here to watch whatsontv.co.uk’s weekly soaps video preview, the Soap Scoop

The latest updates, reviews and unmissable series to watch and more!
Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix.
An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.

