Ruby wants to find her real father

Ruby wants to find her real father
Ruby wants to find her real father

Ruby tells Geoff she's found a photo of her father - Grant Bledcoe - and wants to contact him. Xavier is frustrated that Ruby's ignoring him and thinks something's going on between her and Geoff. Ruby talks to Charlie about contacting her father and Charlie's against it. Ruby asks Jai to set up a false social networking site and lies to Charlie, saying she won't get in touch with Grant. Nicole discovers Aden has moved out of the house. She reveals her fears to Sid who downplays them, worried that Nicole is becoming increasingly attracted to him. Sid ends up helping Aden, fixing his hand. Nicole hears about this and thinks it's a sign that Sid likes her. She thanks him and admits she likes him, but he pushes her away. Morag says the staff at the nursing home requested she stay away so Ross can get settled. Irene goes back to work after Belle's death and finds it a struggle. She gets the trawler transferred to her and asks Geoff if he and Morag can go down to the wharf and handle the paperwork. Geoff and Morag discover Aden sleeping on the trawler. Morag and Nicole are worried about Aden so Morag decides to move in with him. Click here to watch whatsontv.co.uk's new weekly soaps video preview, the Soap Scoop

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Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.