Elle finds Lucas with Steph

Elle finds Lucas with Steph
Elle finds Lucas with Steph

Lucas finally tells Toadie and Steph the truth about the Parker's car. Although Steph is initially relieved to be cleared, she's hurt when she realises that Lucas had intended to run and leave them all to clean up his mess. Meanwhile, Elle is furious that Steph knew about Lucas's gambling problem before she did and throws him out of the house. Dan begs her to offer his brother love and support rather than judgement and Elle relents but as she goes to make amends, she sees a friendly hug between Steph and Lucas. Her jealousy piqued again, Elle lashes out. Will she ensure Lucas is run out of town for good? Callum's increasingly clingy behaviour seems to prove the theory that he has a crush on Kate. The Ramsays call in Toadie to help out but Callum is horrified to discover that's what they think is going on. In conversation with Toadie he reveals that he thinks of Kate more like a Mum than a girlfriend. Donna helps collect money for Jeans for Genes day which gets her thinking about her own genetic history. With some gentle prompting from Karl, Donna reveals that since Bridget's death she's been thinking about tracking down her biological father. Click here to watch whatsontv.co.uk’s new weekly soaps video preview, the Soap Scoop

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Patrick McLennan

Patrick McLennan is a London-based journalist and documentary maker who has worked as a writer, sub-editor, digital editor and TV producer in the UK and New Zealand. His CV includes spells as a news producer at the BBC and TVNZ, as well as web editor for Time Inc UK. He has produced TV news and entertainment features on personalities as diverse as Nick Cave, Tom Hardy, Clive James, Jodie Marsh and Kevin Bacon and he co-produced and directed The Ponds, which has screened in UK cinemas, BBC Four and is currently available on Netflix. 

An entertainment writer with a diverse taste in TV and film, he lists Seinfeld, The Sopranos, The Chase, The Thick of It and Detectorists among his favourite shows, but steers well clear of most sci-fi.